Exhibition

Watch and Listen

Carly Tarkari Dodd

About the exhibition

Carly Tarkari Dodd, Harper Dodd, James Tylor, Sam Mapu Selleck-Tylor, Damien Shen, Kalani Shen

Watch and Listen embodies the continuation of cultural knowledge through art, capturing the essential role of passing down traditions to our young ones, who are naturally curious, observant, and eager to learn. This exhibition underscores the importance of fostering self-determination in the next generation, empowering them to understand who they are and where they come from.

Featuring three unique collaborations—father and daughter, father and son, and aunty and niece—the artists have woven their connections into works that span painting, weaving, and carving. Each piece symbolises the beginning of these young people’s journeys into their culture, opening a space for them to explore and define their identities. Here, Watch and Listen invites us to witness the flow of knowledge from one generation to the next, honouring the strength and resilience found in these familial bonds.

Nexus Arts Gallery
6 December 2024- 24 January 2025

Catalogue essay

Watch and Listen

Culture is a vital part of our identity, passed down through generations of knowledge and stories. From birth, we are shaped by this legacy, with learning continuing throughout life. Young children, in particular, absorb everything with boundless curiosity, always asking “why.” Knowing who we are is essential to carry this knowledge forward to the next generation. This exhibition highlights family relationships and the transfer of cultural knowledge. It showcases connections between aunties and nieces, fathers and children, through painting, weaving, and object-making. These works celebrate traditions, even in the face of historical attempts to suppress them.

Many of our grandparents grew up on missions, punished for speaking their languages and practicing customs, leaving a generational gap in cultural knowledge. As Indigenous artists, we reclaim and revive our heritage, piecing together what was lost. Through art, we awaken old traditions and create new ones, ensuring future generations have a stronger cultural foundation. Our work honours the past while forging new paths forward.

Carly Tarkari Dodd is an artist and curator of Kaurna, Narungga, and Ngarrindjeri descent, known for creating contemporary woven jewellery and sculptures. She was taught traditional weaving by Ngarrindjeri Elder Aunty Ellen Trevorrow at a young age. She has collaborated with her four-year-old niece, Harper, in a creative exchange of drawing and weaving, resulting in a series of woven jewellery. Each piece of jewellery represents a strong maternal figure in Harper’s family. Inspired by Carly’s solo Tarnanthi exhibition, One of Many, which featured woven frames made from raffia and ribbon, Harper began painting coloured borders around her own drawings at kindergarten. She made pieces for her mother, Morag (Mumma), her grandmother, Lila (Lala), and one for herself. Carly then brought these drawings to life, weaving Harper’s shapes with raffia and coloured ribbon. This collaboration honours the strong women within their family and community, celebrating their influence. One day, Harper will grow into her role as a proud Blak Scottish Matriarch, continuing this legacy of strength and creativity.

James Tylor is a multi-disciplinary visual artist working across various mediums, including photography, video, painting, sculpture, and installation. Drawing from his diverse heritage Nunga (Kaurna Miyurna), Māori (Te Arawa), and European (English, Scottish, Irish, Dutch and Norwegian). Tylor explores cultural identity and environmental themes, focusing on the impact of 19th-century Australian history on contemporary issues. While culture wasn’t always present for James growing up, he is committed to making it a central part of life for his son, Mapu. James has created objects such as the Midla (spear thrower), Wirri (club), and Murlapaka (Kaurna Broad Bark Shield) for Mapu to engage with his Kaurna culture. He believes culture should be part of everyday life and takes pride in passing down knowledge from all his cultural backgrounds. Mapu is not only learning from James but also sharing what he learns, teaching his friends at preschool about foraging and harvesting, fostering cultural pride and understanding at a young age.

Damien Shen, a South Australian artist of Ngarrindjeri and Chinese descent, creates deeply personal art reflecting his dual heritage and broadening perspectives on Australian identity and Aboriginal art. Inspired by his childhood love of portraiture and storytelling, Damien now collaborates with his daughter, Kalani, who is developing her acrylic painting skills. Together, they honour Blak heroes, everyday leaders, elders, and change-makers through their art. Kalani’s family portraits, including depictions of Uncle Moogy, Lavene Ngatokorua and Uncle Mickey O’Brien, share cultural knowledge, and create a lasting visual legacy.

Watch and Listen is a celebration of intergenerational connection and the enduring strength of culture. Through the creative practices of painting, weaving, object-making, and storytelling, this exhibition reflects the vital role of family in passing down cultural knowledge and reviving traditions. It acknowledges the resilience of Indigenous communities in reclaiming what was once lost and highlights the importance of creating a solid cultural foundation for future generations.

Carly Tarkari Dodd
November 2024
Exhibition Curator & Artist

Read full essay +

Meet the artists & curators

Carly Tarkari Dodd is an artist and curator of Kaurna, Narungga, and Ngarrindjeri descent, known for creating contemporary woven jewellery and sculptures. She was taught traditional weaving by Ngarrindjeri Elder Aunty Ellen Trevorrow at a young age. Dodd’s work explores First Nations activism, cultural resilience, and highlights the contrast of Indigenous experiences with forms of colonial power. Her work has gained noteworthy recognition, with recent features at Australian Fashion Week on the David Jones Indigenous Fashion Projects Runway and in Vogue Australia magazine.

In 2018, Dodd was honoured as South Australia’s NAIDOC Young Person of the Year. In 2023, she was a finalist for the inaugural MAKE Award: Biennial Prize for Innovation in Australian Craft and Design, and in 2024, her impact continues to grow, with a nomination for two National Indigenous Fashion Awards. Carly’s works are held in both public and private collections across Australia, and she has exhibited at the Australian Design Centre (NSW), Mars Gallery (VIC), JamFactory (SA),  The Mill (SA) and Adelaide Contemporary Experimental (SA).

James Tylor is an Australian multi-disciplinary contemporary visual artist. He was born in Mildura, Victoria. He spent his childhood in Menindee in far west New South Wales, and then moved to Kununurra and Derby in the Kimberley region of Western Australia in his adolescent years. From 2003 to 2008, James trained and worked as a carpenter in Australia and Denmark. In 2011 he completed a bachelor of Visual Arts (Photography) at the South Australian School of Art in Adelaide and in 2012 he completed Honours in Fine Arts (Photography) at the Tasmanian School of Art in Hobart. He returned to Adelaide in 2013 and completed a Masters in Visual Arts and Design (Photography) at the South Australian School of Art. Since completing his tertiary education he has researched Indigenous and European colonial history with a focus on South Australia. He is an experienced writer, designer, curator, historian, researcher, art gallery installation and museum collection conservator. James currently works as a professional visual artist in Tarntanya Adelaide on Kaurna Land in South Australia.

Damien Shen is a South Australian man of Ngarrindjeri (Aboriginal) and Chinese descent. As an artist he draws on both of these powerful cultural influences to create works of intense personal meaning. In using his artistic talent to share his story he aims to open the eyes of viewers to new ways of seeing Australian identity and Aboriginal art.

Damien Shen constantly pushes his practice across different mediums. From time consuming, labor intensive drawings and paintings to bleeding watercolors, printmaking and photography, he is constantly constructing and deconstructing the world around him. Through this imagery he better understands his identity and the identity of those that help to shape the world he lives and the content remains relevant to contemporary Australian issues around race, history and politics.

In February 2016, Damien Shen was the winner of the Blake Prize (emerging category), December 2015, the winner of the Prospect Portraiture prize, and a finalist in the prestigious Whyalla Art Prize and Telstra National Aboriginal and Torres Strait Islander Art Award along with being hand-picked for the Art Gallery of South Australia’s Tarnanthi Festival of Contemporary Aboriginal and Torres Strait Islander Art.

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